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Tuesday, August 4, 2020 | History

2 edition of Musical creation and the listener. found in the catalog.

Musical creation and the listener.

Geoffrey Bush

Musical creation and the listener.

by Geoffrey Bush

  • 137 Want to read
  • 23 Currently reading

Published by Frederick Muller in London .
Written in English


Edition Notes

SeriesMan and society series
ID Numbers
Open LibraryOL20660034M

Effect of Audio Production Experience, Musical Training, and Age on Listener Performance in 3D Audio Evaluation Well executed listening tests often require a great deal of time and resources for the creation or acquisition of appropriate stimuli, design of a testing interface, selection of subjects, and implementation of the experiment in an Author: Will Howie, Denis Martin, Sungyoung Kim, Toru Kamekawa, Richard King.   Chapter 7: Music and the Brain Chapter Summary: Scientists are only recently beginning to investigate the relationship between music and the brain as the field of neuroscience develops. This chapter covers some of this research in terms of music processing, active listening, and benefits of the music-brain : Natalie Sarrazin.

(Book). Ranging from Gregorian chant to Philip Glass, this well-balanced guide to historical and contemporary classical music examines major works by composers worldwide. It focuses on exemplary recordings of symphonies, operas, concertos, choral pieces, chamber music, piano pieces and other works performed by an international spectrum of premier conductors, musicians and vocalists.5/5(2).   Published on This version of the song This Little Light of Mine is from a video done by Psalty the Singing Song Book. The video is .

The Musicians. E nslaved musicians in Jamaica faced a daunting task: creating music that could gather people together across cultural and social boundaries. The population in Jamaica’s plantations and towns was strikingly diverse, bringing together those born in the colony with Africans from throughout the continent, bearing many different languages, cultures, and musical practices. Listener NZ ; Listener NZ ; Listener NZ ; Listener NZ ; Listener NZ ; Listener NZ ; Listener NZ ; Listener NZ ; Listener NZ ; Listener NZ ; Listener NZ ; Listener NZ ; Listener NZ ; Listener NZ


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Musical creation and the listener by Geoffrey Bush Download PDF EPUB FB2

Additional Physical Format: Online version: Bush, Geoffrey. Musical creation and the listener. London, F. Muller [] (OCoLC) Document Type.

Musical creation and the listener [Bush, Geoffrey] on *FREE* shipping on qualifying offers. Musical creation and the listener.

Genre/Form: Einführung: Additional Physical Format: Online version: Bush, Geoffrey. Musical creation and the listener. New York, Hawthorn Books [].

The Creation is the most majestic achievement of that phase, a Musical creation and the listener. book masterwork of seamless perfection that joyfully celebrates the wonders related in the Book of Genesis.

This finely made volume, designed to provide a lifetime of study and enjoyment, is reprinted from the authoritative edition published by C. Peters of Leipzig, complete Cited by: 1. Musical Alchemy: the Work of This secret function of musical creation and performance ‘made of that stage on which a soul was thus called into being one of the noblest altars on which a supernatural ceremony could be performed.

Coming closer now to the musical event in itself, the listener’s primary attention may be on the performer. the listener's interest in a musical journey across a range of time, as well as managing to bring the experience to a satisfactory conclusion. Thus, "musical hearing" implies here a sympathetic and attentive listener, at least some of whose psychological processes in listening to the work can be meaningfully discussed in general Size: 89KB.

THE LISTENER takes McCammon back to his roots and I think is one of his best books to date. The story starts out induring the Great Depression, in Man oh man - a new Robert McCammon book I have been a McCammon fan for a long time/5.

The Listener Taylor Caldwell's The Listener was a book I read as a young man, and it is a book that has been a major influence in my life. It tells the story of a rich man who built a magnificent house when he died and in it was a room where people could come and be listened to by a person behind a curtain 24 hours a day/5.

Musical Experience of Composer, Performer, Listener. In this Book. and in this book he speaks especially to the listener. Project MUSE promotes the creation and dissemination of essential humanities and social science resources through collaboration with Cited by: The aim of this book is to discuss fundamental principles of musical composition in concise, practical listener's interest in a musical journey, across a range of time.

This implies some understanding of the creation and differentiation of planes of tone. Cecil Forsyth’s monumental book on Orchestration is a classic in its field. In this work he describes in detail the workings of practically every musical instrument known. He traces the intricate development, design, and make-up of instruments that leaves the reader marvelling at the creative prowess people have used to produce such amazingly.

The creative feat of composing music and its effect on the listener is to inevitably bring one to ponder the question, 'Just what is the difference between man-made musical sounds and the constant.

It is the nature of creation that one has to reshape and polish one's work. This is especially true when a writer has to appease the army of collaborators involved in a musical. With the exception of Kiss Me Kate, every musical that ever opened out of town (or in New York previews) required book revisions.

The findings from Study 1 and its follow-up provide substantial evidence for five music-preference factors. These five factors capture a broad range of musical styles and can be labeled MUSIC, for the Mellow, Urban, Sophisticated, Intense, and Campestral music-preference factors.

Three of these factors (Sophisticated, Campestral, and Intense Cited by:   The Wicked Stage: Book musicals vs.

concept musicals – are they both under threat. Sarah Green January 8, Opinion Theatre views If you study musical theatre in any sort of depth you will come to realise that nearly every show falls into one of two categories: either a book musical or a concept show.

The Creation’s gradual rehabilitation in the 20th century, especially after World War II, has mirrored the spectacular upturn in Haydn’s reputation generally. Comparisons with Handel became irrelevant. In a new, post-Romantic aesthetic even the most sophisticated listener could confess to enjoying Haydn’s naturalistic bird and animal.

Music theory is the study of the practices and possibilities of music. The Oxford Companion to Music describes three interrelated uses of the term "music theory". The first is the "rudiments", that are needed to understand music notation (key signatures, time signatures, and rhythmic notation); the second is learning scholars views on music from antiquity to the present; the third a sub-topic.

The Creation in Full Score Paperback – Aug. 1 The composer combines a variety of musical styles (and musical tricks) to make the words live vividly in the listener's ear, and not a note is wasted.

The score contains secco recitative, mighty choruses, and beguiling arias/5(11). Thereupon, loud chords that are essential in the exposition of The Creation are so spontaneous that a listener is unintentionally inclined to break the measure between the art and reality.

Several abrupt transitions between soprano and bas arias project the sensibility on the whole concept of what is described in play of instruments and in. Music and meaning. Composers assemble sound events—pitches, durations, timbres, and silences—to create musical gestures that enact aspects of their inner musical and emotional experiences; the gestures are ordered in sequence to form musical narratives whose purpose is to express and communicate the composer's experiences and ideas to listeners (Ballantine,p.

2).Author: Desmond C. Sergeant, Evangelos Himonides. Fun Home is a musical adapted by Lisa Kron and Jeanine Tesori from Alison Bechdel's graphic memoir of the same story concerns Bechdel's discovery of her own sexuality, her relationship with her gay father, and her attempts to unlock the mysteries surrounding his : Lisa Kron.The Listener’s Guide is YouTube’s premiere educational channel about classical music.

It is designed to make the art form accessible to inexperienced listeners and to young artists who wish to learn more about it.

This includes videos containing: Explanations of musical structures; Walkthroughs of. How Leonard Cohen’s ‘Hallelujah’ Brilliantly Mingled Sex, Religion Read story behind legendary artist’s most famous song, excerpted from Alan Light’s book ‘The Holy or the Broken’.